My latest music is influenced by the world-creating and -transforming abilities of music and it explores different musical experiences, such as in TOUT (2015) and suns (2017), which are first and foremost experienced by decoding the mysterious, colorful and overgrown scores. Other times, the audience is surprisingly placed in the middle of the music, as in the Carl Award-appointed theatrical PechaKucha talk Face the Music (2016), where a musicologist suddenly disappears into his strongest musical memories - or in Tuning, Applause (2016), written to the Aarhus Symphony Orchestra, where the conductor alternates between conducting the orchestral tuning and the audience's applause. Educated composer, music theorist, ensemble leader and in musical communication at the Royal Danish Academy of Music (Copenhagen), the Royal Academy of Music (Aarhus) and the Danish National Academy of Music (Southern Denmark). Teacher of composition, music theory, music history, ear training, ensemble leading and aestheticum: a musician's work at MGK Fyn and MGK-Ø, a three-year preparation course for the music conservatory, supported by the Danish Ministry of Culture. Additional assignments as educator, workshop leader and lecturer throughout Denmark, composer for theatre and film productions, music journalist, arranger, radio producer, essayist, sound designer, conductor, musician and co-festival director for the 70th anniversary of the Young Nordic Music Days, (UNM: Ung Nordisk Musik Festival), where composers and ensembles presented 35 new pieces from Iceland, Finland, Sweden, Norway and Denmark.
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